New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

Mexican/American artist, Showtime Ramon, has been on a tear as of late releasing banger after banger that include features from the likes of Mark Battles (Jet Lag) and Sir Michael Rocks (Clyde Drexler). Now the gem spitter drops his Abominable Snowman album to open up 2024 bringing along his clever word play filled with his love for pop culture, sports, cars and exotic women.
Weighing in at 10 tracks with features from Freetown (DDP) and Chuuwee (Pam Grier), Showtime enters the ring ready and willing to take on the world with his raw talent and flows filled with nitro as he continues to smackdown any competition that tries to tangle with him in a singles match. With raps like “I’m breaking barriers I’m like a Lisa Leslie dunk/I ain’t trying to hear it/I’m sparking up in a Tessie truck” and “I spit that type of dope that Stevie Nix took up her nostril/now I need a JLO with a castle that’s colossal/going worldwide I’m reaching shit that’s impossible” it’s hard not to give the artist the attention he deserves as he continues to put on for himself and the Latino people. Per usual, Showtime does a fantastic job picking and choosing production that fits him to the tee, aligning his bars perfectly with the drums, snares and bass provided to him by the cast of producers he called upon to create Abominable Snowman. In his own words the artist says “the cover art of the Abominable Snowman depicts my feeling through out the process, cold and alone on my pursuit of greatness as I improve my skill set to survive as the last of a dying breed, a rare breed. The Abominable Snowman is mythical, his actions are unknown just like my word play abilities”.
Showtime Ramon isn’t new to the rap scene as his discography features albums, EP’s and singles with over thousands of streams but this latest set of sounds could be the game changer that solidifies Ramon’s place above other artists trying to reach where he currently is. In turn separating himself even more from the crowd of regulars while he sits on a throne of his own. Showtime Ramon is the lights the camera and the action in his movie titled Abominable Snowman, in the words of Rob Van Dam, Showtime Ramon is the whole effin’ show.