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Josiah Gray – Need To Know

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Masterful Production and Eclectic Genres Shine on Josiah Grey’s Debut LP (Miami) 

On his debut album, A Blessing Money Can’t Buy, Josiah Grey celebrates his struggles and how he overcame them to truly value life as a blessing money can’t buy. Grey, a native Ecuadorian, may only be 20 years old, but he’s already come up through the ranks as a DJ, producer, and artist.  

I did a lot of DJ’ing. My stepbrother used to produce so I would watch him and he taught me. I would DJ at house parties. He did bigger venues. He took a different route and did Hispanic music. I decided what I wanted to do and taught myself everything else after that,” says Grey. By middle school, he had a recording set up in his room. Later, he spent all his time after school at “YouTube University,” soaking up everything he could about production and sampling. A search for the right studio led him to House of Dreams, where he’s been perfecting the album for the past two years.  

While Grey mainly focuses on rap, his album nods toward R&B and rock music, also featuring lines delivered in Spanish. The songs on this project are just a glimpse at the other music he’s waiting to release, which reveals his greater breadth of influences. He’s an eclectic listener, citing J. Cole and Nas as rap influences on his rap and classic rock artists like Pink Floyd, Grateful Dead, and The Doors on his production, alongside The Alchemist, 9th Wonder, and Kanye West. 

“Need to Know” showcases Grey’s R&B skills. “It was about a crush I had on this girl. We had a thing and it inspired me. I talk about other situations, but mainly that one. It’s a love song but it has another meaning to it. If you listen to it, it’s about how not to get too obsessed–but just a little bit,” he says. The song’s slow groove and clear vocals highlight its introspective nature.  

Grey says, “The point-of-view of the album is me coming out as an artist. I talk about me and the album is about my struggles coming up.” “Josiah’s Journal” makes those struggles visceral. Built on a delicate guitar sample from Pink Floyd’s “Hey You,” the song quickly takes on an aggressive beat and confrontational flow. 

The album ends, appropriately, with “Odyssey’s End.” “It’s the end of a journey, wrapping up the end of everything I’ve gone through. It’s about overcoming things and finding resolution. The vibe is about overcoming. Everybody says it’s like a song they’d hear at the end of the movie when the closing credits roll,” the artist says. This track is a rock song with a rap bridge, then becomes a hybrid, all with the help of Truee K. The lyrics celebrates the self-care and self-improvement that have guided Grey, and they’re also a prayer for safe passage forward.  

[youtube https://www.youtube.com/watch?v=jwCj9SVHWOY]

A Blessing Money Can’t Buy is available on all streaming platforms.  

Album on YouTube: https://youtube.com/playlist?list=OLAK5uy_lovco5UHMCW23trsUsonuEq0K9bxWt_oc
 

Other streaming links: https://distrokid.com/hyperfollow/josiahgrey/a-blessing-money-cant-buy
 

Social media: https://www.instagram.com/josiah.grey/ 

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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