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Coco Kimmie – Keep Ya Head Up

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Coco Kimmie combines sultry 90s vibe with modern-day twist on debut single ‘Keep Ya Head Up’

VIRGINIA – The debut single from up-and-coming artist Coco Kimmie is the kind of track that immediately demands attention. “Keep Ya Head Up,” released across all digital platforms on Feb. 11, is a bouncy R&B and Pop single that feels like a throwback to the sultry singers of the 1990s, but with a modern-day edge that is refreshing and needed in today’s industry. With a vibe that’s indicative of greats like Beyonce and Lauryn Hill, Coco Kimmie’s style showcases a mastery of R&B, Hip-Hop and Gospel.

Born and raised in New Jersey, Coco Kimmie started singing as a young child in the church. She learned to play the piano by ear and was trained to play classical music as an adolescent. Her mom loved Gospel and James Brown, and her dad loved Blues and Country music, so she was exposed to several genres from an early age. When she attended college at the United States Air Force Academy in Colorado Springs, she sang in the USAFA Cadet Gospel choir and recorded her first CD. She served for 21-plus years in the U.S. Air Force, and upon her retirement in 2015 was inspired to sing again by her daughter. She began singing with the Chocolate Factory Band in 2019, performing in places such as the Sunset Room National Harbor in Maryland and some upscale private parties through Washington D.C., Maryland and Virginia. After working with the N2N Band and some other artists in the industry, Coco Kimmie eventually started working on her own music and is now ready to launch her solo career with her first single “Keep Ya Head Up.”

“It’s a song that stems from thinking about people during the pandemic and everything we’re all collectively experiencing,” she said. “The way our life has been has fundamentally changed. Everything we used to do or were familiar with is different now. There’s a new normal. I’m a very empathetic person and I have a tendency to sense how people feel. So as I was thinking about myself during this pandemic and how my life has changed, I started thinking about other people who might have it even worse and that was the impetus for writing this. I wanted to send a message of encouragement and hope.”

Coco Kimmie said she’s following that single up with another called “Shine” in April. Much like her debut song, “Shine” will feature her throwback 90s feel with some modern-day fusion. It’s a slow jam with a smooth R&B feel set against her soaring soprano vocals, and it has a definitive uplifting vibe. There’s a bit of a sway and a swag to it, and listeners will find themselves moving to the music as they listen to it.

Coco Kimmie said she’ll follow that up with more singles over the course of the year as she aims to build this new career and get her music in front of new fans all over the world.

[youtube https://www.youtube.com/watch?v=T7QdafL7WcA&w=560&h=315]

To listen to Coco Kimmie’s music or to follow her on social media, please visit:

https://cocokimmie.com/
https://instagram.com/cocokimmie
https://twitter.com/cocokimmie1
https://www.facebook.com/kimmoncrieffe
https://cocokimmie.hearnow.com/

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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