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Talia Justina – You Got Me

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Talia Justina displays impressive talent on hot new single ‘You Got Me’ 

LOS ANGELES, CA – There are a lot of genres in the world of music, and a lot of talented people making music in those genres. Talia Justina is trying to create something new. 

After a decade of exploring new sounds and finding her unique voice, she’s landed on a signature style that certainly makes a case for originality. That talented display of artistry is put on full display with her impressive new single “You Got Me.” 

Currently available across all streaming platforms, “You Got Me” is a song that takes its influence from a variety of genres – Pop, Rock, R&B and more – yet finds itself in a place that’s hard to pinpoint with a specific title. The wavy intro makes way for Talia’s soaring vocals, and when the beat drops listeners are immediately hooked. You can’t help but bounce with the groove and Talia takes you on a ride. The slow jam summer hit feels like an elevated take on Pop legends like Ariana Grande, making it a smash that’s just waiting for the world to catch on. 

“It’s a song that’s about a relationship that’s sustainable and almost relentless in the way that it lasts,” Talia said. “I feel like there’s a lot of bad energy in music today, and I really wanted to express something about how there can be that one person that you just know when you’re with them it can last. There’s not a lot of representation like that in music right now, and I wanted to showcase something different.” 

Talia has been singing her whole life and got a first-hand education in music as she watched her mother – a professional musician – sing at events and on cruise ships for much of her childhood. She made it her goal to pursue music, as well, and her biggest opportunity came at a young age when she was discovered by her manager Jason Charles at only age 10. Charles and his business partner, EIF, have helped develop Talia into one of the fastest-rising young talents in the world. EIF has also worked as the primary producer for her music, and helped craft the masterpiece that is “You Got Me.” Talia considers them to be her family, and together the three of them have created something special with her signature style. 

“I want people to instantly know it’s me they’re listening to,” Talia said. “My voice is distinct. You can’t confuse me with anyone else you’re listening to today. I would only hope and dream to be known as a legacy. More than anything I hope I’m an artist who is known for embracing her individuality. I also want to be known as a voice for the youth – inspiring them to create whatever they set their minds to. That’s all I want to do for the rest of my life – create what I love and encourage others to create what they love, as well.” 

[youtube https://www.youtube.com/watch?v=7rqsGa5owIk&w=560&h=315]

Talia said she and her team are working on putting together an EP this year, with more singles set to release within the next few months. To listen to Talia Justina’s music, or to follow her on social media, please visit the following links: 

https://open.spotify.com/track/1jRT5XiBFOKJUN9MeC3VuT?si=sNtqW98IRrexYuWkrYfFqQ&dl_branch=1 

https://www.youtube.com/watch?v=7rqsGa5owIk 

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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