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Sterlen – Nobody

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 Multitalented producer and artist Sterlen Roberts drops string of singles in advance of genre-breaking album to come in 2021 

OAKLAND, CA – In a landscape that’s become stark and with many thirsting for an epiphany in the realm of sound, there are few who can truly match what musical artist Sterlen Roberts has accomplished. The son of Grammy-nominated Gospel writer and producer Steven Roberts, Sterlen has been stretching the realms of possibility within the music industry for many years. Long before Kanye West did it on his platinum-selling album “Jesus Walks,” Sterlen was sampling Choir and Gospel tracks against Hip Hop beats and smooth-flowing Raps in genre-breaking ways. He has continued that for the majority of his career and today, is offering a truly original body of work through a bevy of new singles and a forthcoming album in 2021. 

Most recently, Sterlen released the single “Nobody” which is a fusion of Rap and R&B that will take listeners back to the days of early Mary J. Blige – with rapping on the front end of the song that cuts straight to R&B before seamlessly transitioning back to Rap. 

“I love the vibe of the song because it’s really traditional R&B and it has that real good feel that comes with a great R&B song,” Sterlen said. “When you hear the hook, it feels like 90s R&B but with a modern-day flavor.” 

Over the years, Sterlen hasn’t only been concentrating on his own craft. He has also diligently sought out other artists in his field knowing that to do so would expand his knowledge and experience. As a result, he’s been able to work with some of the biggest names in the industry, including Keyshia Cole, Flo-Rida, Luke James, Lyrica Anderson, Rico Love, Latoya London, JodeciFlava Flav, and many more. He also studied closely under Devante Swing of Jodeci in the same environment that nurtured artists such as Missy Elliot and Timbaland. All of that hard work has paid off and is reflected in the quality of the beats he produces – mixing classical piano with hard-hitting tempo and drums. He’s also become known as a rapper who knows how to rock a crowd, while also enlightening them with his piano performances.  

“We have never seen an artist like Sterlen,” said the Oakland to Paris Music Group. “He is so talented. It’s almost as if he can do anything. He can perform. He’s an amazing piano player. He can rap, produce, write, and even direct his own music videos. He is that creative and gifted. We think he was in a zone on his most recent effort. It’s his most amazing work ever – from his intro ‘I Been on the Way,’ to even more radio-friendly songs such as ‘Nobody,’ he has mastered the gift of being creatively commercial.” 

Sterlen said his new album in 2021 will be a profound mixture of Hip Hop, R&B and Soul, with splashes of Pop mixed in. Another single from the album perhaps best exemplifies this description. “Way Up” features Sterlen’s mastery of the piano against a Gospel-driven track that has a lot of urban flavor. It also shows off his skills as a rapper, among other things. 

“There’s a B-3 organ in there,” Sterlen said. “There’s Gospel. There’s some auto-tune. And there’s me rapping, of course. I’m saying some real stuff. It’s a lot of creativeness all bunched into one song. It’s the perfect song to showcase me as a producer and artist. I think a lot of other producers will really get it. It could be church music, but it’s not. It’s something truly original.” 

[youtube https://www.youtube.com/watch?v=5KRSl4X5s-c]

To listen to Sterlen Roberts’ music or to follow him on social media, please visit: 

www.sterlenroberts.com 

https://www.instagram.com/sterlenroberts/ 

https://www.facebook.com/Sterlen-Roberts-6743548532 

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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