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Nialand – WASTQT

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Nialand gives us the ultimate pandemic playlist with new audiovisual EP, “Words and Sounds To Quarantine To”

CHICAGO, IL -Nialand is a singer-songwriter, and international recording artist with a collection of experiences and a true talent for lyricism and music. Her latest project, an audiovisual EP entitled, “Words and Sounds To Quarantine To”, is an emotional and relatable project that showcases her own experience both personally and as a musician maintaining sanity in the wake of the COVID-19 Pandemic. The deeply soulful and smooth hip hop sounds, wrapped in vulnerable lyrics are only enhanced by the visual experience displayed through a short-film like music video which Nialand directed and starred in herself. This visual component gives life to the lyrics and resonates with viewers and listeners from all backgrounds in a very unique and refreshing way.

Nialand has been making music for much of her life. “I have been in the music business for about 16 years now. I’ve been fully independent the entire time but I’ve been able to do a lot of things in the industry. When I first started in the music business, I was doing features and collaborations with lots of artists.” Throughout the years, she has been able to work with a collection of big name artists including MC Lyte, Chico DeBarge, Roy Ayers, Lupe Fiasco, and Kanye West and more. She has also performed both nationally and internationally at venues such as the House of Blues, Gibson Amphitheater, Fox Theater, and several music venues and events in Europe as a featured artist on the “Moments for Love UK Soul Tour 2016”

The experiences that Nialand has had over the course of her career has allowed her to embrace her own style and freely express her music with unique distinction. Her music is a blend of Hip Hop, Soul and Jazz with a specific focus on her lyrical delivery. “I’m a very lyrical person. I love to write and songwriting is my first love. I choose to write my experiences and share them. I’ve found that me being open and honest about the things that I have seen and experienced, allows my music to connect to so many other people’s stories.” Her lyricism creates a relatable feel within her music that is hard to replicate.

“Words and Sounds to Quarantine To” is a perfect example of the connection that Nialand’s music offers to listeners. The EP focuses on the adjustments that she had to make in her life and her career as a musician during such unprecedented times. “I couldn’t really see what was next and I didn’t know what was happening. I had a lot of emotions and feelings and thoughts that I believe that we all have had at some point during this time. Having to deal with those things personally led me to writing my feelings out in song. There wasn’t anywhere that I could go, there was nothing that I could do except be present with my feelings, so I would just sit and write.” Once I embraced those feelings, the words and songs flowed out in only a few days, and from there, I created and shot the visuals to go with it. The visuals that go along with this EP were all directed by Nialand. They give a powerful visual interpretation to the words and feelings expressed in the music. “It’s something you have to experience. It shows me being in this space of quarantine and what I did in this place of isolation. You see me on lockdown, (as we all are), in my own space just having to sit and just be. You will see me express different moments of frustration, boredom, and contemplation about everything that’s happening and having to process those thoughts and come to a resolve.” Nialand had to endure the challenge of shooting this visual in the midst of a pandemic, but by throwing herself into her creativity, she was able to find a way to strategically and intentionally build a quarantine set out of a small, empty art gallery which resulted in a stunning visual presentation.

Through this audiovisual EP, Nialand hopes to normalize the process of feeling, especially as we experience such a strange and uncomfortable time. “If nothing else, the year 2020 has taught us that there are some things that are just completely out of our control and full of uncertainty. You have to allow yourself to be aware of what you’re feeling and how you’re processing those feelings and not just jump to try to solve things because, in reality, there are some things you won’t be able to solve, and that’s ok. You just have to endure and have the right perspective”

At the end of 2020, Nialand released a single and part one of the full visual. “WASTQT”, the title track of the EP (abbreviated), is an emotional and honest song with a chill, soulful/hip hop groove. Nialand gets extremely vulnerable on camera with this visual and leaves you fully anticipating what will happen next. It is easy to vibe to and is a great example of her beautiful sound and strong lyricism.

Be sure to check out the single and visual for “WASTQT” and look for Nialand on social media. Keep an eye out for the full release of “Words and Sounds To Quarantine To” which is dropping in late Spring 2021.

[youtube https://www.youtube.com/watch?v=FREh5S2HakU]

“WASTQT” by Nialand: https://soundcloud.com/nialandmusic/wastqt
Watch The Visual: https://www.youtube.com/watch?v=FREh5S2HakU

https://open.spotify.com/album/4XsXNPPaSFy26YMnBQyIgq
http://facebook.com/nialandmusic
http://instagram.com/nialandmusic
http://twitter.com/nialandmusic
http://reverbnation.com/nialandmusic

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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