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Estella Dawn – Pretty

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New pop ballad from New Zealand singer Estella Dawn embraces body positivity 

Denver, CO – It would be nice to feel great about yourself every day, but life can have a tendency to make you feel small and inadequate at times. This is especially true for people who use social media, these platforms are minefields of content that can make you compare your body and personality to the bodies and lives of seemingly “perfect” people online. In the words of Pop artist Estella Dawn, “It can be soul-crushing.” 

“It can leave you feeling like all that you are isn’t enough,” said this singer-songwriter who originally hails from New Zealand. “That’s when you need someone to lift you up. You need kind words when you’re unable to speak them to yourself. You need reassurance when you’re feeling discouraged. You need a reminder that you’re a bad ass and that you should never shrink to make others comfortable, because you’re not ‘too much.’ You’re just enough.” 

Estella reinforces those words on her latest hit single “Pretty,” which goes wide across all streaming platforms on Aug. 20. The song is a Pop Ballad that perfectly showcases this naturally gifted vocalist who at one point was a star on “New Zealand’s Got Talent.” The driving piano melody immediately sets the tone for the ballad, giving way to harmonies that display Estella’s sultry and soulful vocals. This is a new Pop Ballad that people need to pay attention to, not only because it introduces an artist who is poised to become an international superstar, but also because of the message behind the music. 

“This song has nothing to do with aesthetics or being attractive,” Estella said. “In my opinion, that’s the least interesting thing about a person. But feeling confident, comfortable and empowered in your body is important. To me, that is true beauty.” 

‘Pretty’ is the latest single from this young artist who has been steadily making a name for herself since moving to the US. Like many songwriters Estella has been writing, recording and releasing music from an early age. However it has been in the last 3 years that she has refined her craft and developed her own style that is clearly shown in the 13 singles she’s released since early 2020. These songs show a unique command of melodies, with a subtlety and range that are a personal and social exploration of life. They contain multiple layers – both vocally and musically. Soft and soothing but also sharp and gritty when needed. And with that maturity she has been compared to Adele, Billie Eilish, Pink and Hayley Williams.  

As with any hard working musician this is just the beginning. Following “Pretty” she has another single titled “Cotton Candy” that she plans to release later this year. She is also currently in pre-production writing and arranging tracks to record and produce her first full-length album, this will be recorded in a Denver studio with a live band. Estella Dawn is one to watch out for. 

[youtube https://www.youtube.com/watch?v=WCBZY0Ku4TA]

To listen to Estella Dawn’s music, or to follow her on social media, please visit the following links: 

https://soundcloud.com/estelladawn/pretty/s-YbBmfj8CQoL 

www.estelladawn.com 

https://www.facebook.com/estelladawnmusic/ 

https://www.instagram.com/estelladawnmusic/ 

https://www.youtube.com/channel/UCzCU2C1w_DUdS_gpaYYHC3w 

https://open.spotify.com/artist/00SIMc8XBD6NezPkMpkMcL 

https://twitter.com/estella_dawn 

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(Album) Benny The Butcher – Everybody Can’t Go @bennybsf

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New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.

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(Audio) J Lyles – Here I am @iamjlyles

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J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.

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(Album) D’Shaun – CRWN @RylDShaun

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Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.

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