Flamez Da Prince Ft NVMA – No Stylist (Remix) @FlamezDaprince
In the “No Stylist (Remix)”, Flamez Da Prince showcases and describes how stylish his wardrobe is, even without a stylist. For the hook, Flamez says that he is deep in debt. This is largely due to the cost to keep up his lifestyle. As a twist, NVMA then raps about how he is deep in debt is also causing other issues in life. Nonetheless, the “stylish” lifestyle is too fun to give up.
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Flamez Da Prince was Born on October 6, 1986 In Brooklyn, New York, youngest of five brothers and raised by a single mother. From the struggles of having no father figure around, to being homeless at a young age, Flamez Da Prince found peace in music. But it wasn’t until he was 11, when the Notorious Biggie album Life After Death came out, that Flamez Da Prince was introduced to the world of not just music, but art.
Five years later, his love for music still flowing through his veins, Flamez Da Prince met Albert, JB, Akademix, Vinny and Cali, who were already recording and avid song writers. Their friendship and love for music lead them to create AKA Music. With performances in New York and Pennsylvania, the adrenaline, excitement, and the energy received left Flamez Da Prince yearning for more. In 2007, Flamez Da Prince met Dennis, who is currently his manager and the owner of Cypress Soundz. Call it fate or luck, but a young, new era Hip-Hop, R&B, bilingual singer, rapper and songwriter was about to be born. With Dennis’s guidance and his hunger to succeed in the music industry, Flamez Da Prince continues to perform and push forward.
With his ambition taking the driver’s seat, Flamez Da Prince releases his Ten Toes Challenge in December 2016. With over 2,000 views, Flamez Da Prince knew it was time to show the world what he was capable of and begins preparing his first mixtape. After months of countless hours and days recording, perfecting and living the saying “There is no struggle without success” Flamez Da Prince first mixtape entitled Royalties From The Hood is set to be released on May 6, 2017.
For most of his life NVMA (New-Muh) has used hip hop as a way of dealing with depression and the struggles of everyday life. Born in Williamsburg Brooklyn and then moving to Cypress Hills his musical journey began in 1999 after the death of his father when his mother brought home a pirated album that was none other than Nas’ Illmatic. “He heard that CD everyday for three weeks” according to his mother. The rest was history. Although he would not release any recorded music until his late 20’s, he was known by many to freestyle any chance he could. House party’s, classrooms, even on the job as a life guard in Brooklyn. The story goes “he was meant to do it” as put by a close friend and seconded by others. With a mix of thought provoking conscious lyricism, eclectic musical choice and well versed delivery NVMA offers an alternative to the mundane watered down hip hop and rap that seems to be flooding the genre as of late.
Album
(Album) Benny The Butcher – Everybody Can’t Go @bennybsf
New Album from the Butcher the Def Jam debut. Benny the Butcher has deliver us a 12 song album with features from Lil wayne , Snoop Dogg , Pezzy, Westside Gunn and more! Production from Hit Boy and Alchemist. Check out “Everyone Can’t Go”.
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(Audio) J Lyles – Here I am @iamjlyles
J Lyles makes his return to the world of HipHop, and in a big way, with his new single titled “Here I am”. It’s been a while since we’ve heard anything new from the talented artist but we can officially say those days are over with this new single as Lyles continues to prep a new album that is slated to release this year. Being lyrically relatable has never been a problem for the New Jersey native, and that continues to be true with “Here I am”. Life sometimes takes a toll on us as humans, we all go through ups and downs mentally and physically but those who stay true to themselves while staying afloat through the rough times are the ones that seem to come out the smoke when those bad days disappear. In his own words Lyles describes the song by saying “I discuss various points of my life and the effects of incarceration, family trauma and struggles to get through college and life after college. This song is a testament of wins and losses, pain, and perseverance that led to this version of myself. “Here I Am”.” J Lyles is that exact person that comes out of the smoke battle scarred and tired but wiser and battle tested. He’s always ready to give it his all when those tough times roll back around with rhymes like “Made it to 27 I must be here for a reason/applying pressure smothering all you turkeys that’s under seasoned/they telling me to keep going/my music the voice of reason.” Staying ten toes down with the current version of himself is what the artist is striving for now a days, staying away from those who may not prove to be worthy of being within his circle. “I’m a legend to the game/but I never wanted fame/cause everybody knows your name and unfamiliar with your pain” spits Lyles at the beginning of the second verse, further cementing his true to self rhymes being provided by the man behind the mic. With his debut album titled The Execution still being perfected behind closed doors, J Lyles opens up one door to give new and older listeners a sample of what is to come until the timing is right for The Execution.
Album
(Album) D’Shaun – CRWN @RylDShaun
Backed by only one single, “S’mores & Rumchata”, D’Shaun comes crash landing at #4 onto the iTunes top 40 HipHop album chart and right back into your music libraries with CRWN. The highly anticipated project lived up to expectations on the first day of its release as it also entered yet another chart on iTunes. CRWN peaked at #88 on the top 100 albums in all genres chart, sitting comfortably and confidently above Elton John’s Diamonds. This incredible accomplishment doesn’t happen without D’Shaun and the RYLTY crew’s hard work and dedication to creating an album packed with 12 playable and enjoyable records that each bring a different sound and vibe when stimulating your brain.
D’Shaun continues to put Converse, Texas, on the map as he showcases not only his talent but the talents found within his circle. From Austria to Detroit to Houston, he credits the artists around him for helping provide the “spacey yet quintessential HipHop but with a new school sort of feel” sound that he believes his latest body of work entails. This album not only incorporates HipHop but it also throws some dashes of rap, pop and R&B, adding some more seasoning to the recipe we already knew D’Shaun brought to the table. He’s dabbled in those genres before but with CRWN he brings them altogether in a cohesive manner, letting each live and grow with one another as they flow beautifully the more and more you run the project back. For him, CRWN is set to “change the whole landscape, the city and the state, the lives of each of these young men in RYLTY”. Those changes begin with track number one titled “Nonstop” which is fitting for the vibes that you continuously find yourself emerged in. Between track one and twelve you’ll find up tempo hits meant for the radio in “Chalice”, “Notice”, “S’mores & Rumchata” and “Alright”. You’ll also hear the artist slowing things down a bit with “4U”, “LoveSICK”, “Virgo Season Interlude” and “My Way”. Pure raps are expressed within the previously mentioned “Nonstop” along with “Gentlemen’s Club”, “Sprite Zero” and “Waver”. If there was a sound that D’Shaun didn’t think was fun or didn’t fit the wave he was gearing towards then it simply didn’t make the cut, the artist says that CRWN “is more fun and shows what wearing the crown is like” when comparing the project to its predecessor KNG.
Four years separate both albums and in between those four years we’ve heard how highly D’Shaun has spoken about the trio of albums he had been planning on releasing with all being companions to one another. With two down and one to go the one man band artist has been growing and maturing within his sound and will only continue to do so. He showcases that behind each verse, chorus, ad-lib, snare, kick or high hat he decides to incorporate into this world where creativity never ends. We can call this world “RYL” and here we’ll find the king at his throne wearing a crown meant for only him, exuding royalty the only way he knows how.
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